Rock of Ages (Ma’oz Tzur) arranged in a contemporary lyrical setting by Lisa Donovan Lukas. This selection is ideal for intermediates of all ages.
What Child Is This arranged in a contemporary lyrical setting by Lisa Donovan Lukas. This selection is ideal for intermediates of all ages.
From Every Mountain Top, features a holiday favorite “Go Tell It on the Mountain” arranged in a slow gospel style by Chrissy Ricker. This holiday piece is ideal for intermediates and will add soulful sparkle to your holiday recital!
Rompin’ Reindeer, is an ultra-cool jazzy spin on “Up on the Housetop” arranged by Chrissy Ricker. This holiday piece is ideal for intermediates and will add sparkle to your holiday recital!
Joyful and Triumphant, is an elegant lyrical spin on “O Come, All Ye Faithful” arranged by Chrissy Ricker. This holiday piece is ideal for intermediates and will add sparkle to your holiday recital!
O Come, All Ye Faithful arranged as a contemporary lyrical solo for intermediates by Jennifer Eklund.
Jolly Old St. Nicholas arranged as a contemporary lyrical solo for intermediates by Jennifer Eklund.
Jingle Bells arranged as a contemporary lyrical solo for intermediates by Jennifer Eklund.
Deck the Halls arranged in a lyrical contemporary style for intermediates of all ages by Jennifer Eklund.
Away in a Manger sheet music arranged as a contemporary lyrical solo for intermediates by Jennifer Eklund.
Waltz of the Flowers, from Tchaikovsky’s Nutcracker ballet, stylishly arranged for intermediate piano by Jennifer Eklund.
Dance of the Sugar Plum Fairy, from Tchaikovsky’s Nutcracker ballet, arranged for intermediate piano by Jennifer Eklund.
March of the Toy Soldiers, from Tchaikovsky’s iconic Nutcracker ballet, arranged for early intermediates by Jennifer Eklund.
Hatikvah, the Israeli national anthem, arranged for duet by Barbara Becker. This harmonically lush rendering of this iconic melody will delight students of all ages. The secondo is intermediate level and the primo part is graded for late beginners.
A meditative arrangement by Stacy Fahrion of Martin Luther’s Ein feste Burg ist unser Gott. This arrangement was written to commemorate the 500th anniversary of the Protestant Reformation.
The Doxology: Praise God From Whom All Blessings Flow, arranged by Robyn Fehrenbacher in a beautiful, flowing, contemporary setting. This beloved hymn is a lovely choice for preludes, offertories, weddings, recitals, and personal enjoyment!
This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!
This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.
The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.
A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.
In the Hall of the Mountain King arranged as a fast and flashy showcase duet for intermediates by Jennifer Eklund.
The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!
Spirit House is a delightfully spooky solo for intermediates composed by Ron Levy. Great for the Halloween season or anytime a spooky mood strikes!
This piece starts out mostly normal, staying close to Stephen Foster’s piece, but then something goes awry and it ends up in the parallel minor. Music by Stacy Fahrion.