The Eternal Spectator

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

This piece was inspired by a breathtaking midnight kayak ride on our lake in northern Minnesota. It was my birthday, and the water was completely still, beautifully reflecting every star as well as the rising Super Moon.

Nebula, composed by Rick Robertson, is an intermediate level solo in a contemporary style, built entirely on the whole-tone scale on C. It gives the performer ample opportunity to explore different sonorities while working on touch and balance.

Chalumeau, composed by Rick Robertson is a late-intermediate level solo in a neo-Romantic lyrical style. It is inspired by the “chalumeau” register of the clarinet, with its low, rich tones (named after a reed instrument that preceded the clarinet). The melody lies close to the middle of the keyboard, and the accompaniment moves above and below it, giving an opportunity to work on voicing and balance.

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

What defines a Halloween piece, other than a piece in a minor key with an eerie title? Inspired by the whimsically macabre words of Edward Gorey, this piece by Stacy Fahrion beckons you into a haunting waltz that defies convention with its 5/8 time signature. It offers rhythmic twists that promise to challenge and enchant late intermediate pianists, turning their practice into a ghostly dance of mystery at the keys. This piece is part of the “These Are Odd Times” songbook.

Those Who See, But Are Not Seen is a melancholy solo for sad ghosts composed by Stacy Fahrion. This piece is ideal for intermediates of all ages.