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Jam out to this pulsing, pop-inspired arrangement of O Come, All Ye Faithful by Paul Sweet. Driving rhythms, wild syncopations, and showy passagework will make this a perennial favorite!

This showcase-style arrangement by Paul Sweet is sure to be a hit at your next holiday recital. Jaunty rhythms and a Celtic flavor make this a thrilling dance for the fingers!

Pas de deux, from Tchaikovsky’s Nutcracker ballet, arranged for advanced piano solo by Jennifer Eklund.

O Little Town of Bethlehem in a peaceful setting by Paul Sweet that recalls the wondrous events of a night long ago. Rich harmonization and a gently sweeping accompaniment beautifully frame this holiday favorite.

The Sussex Carol (sometimes called “On Christmas Night All Christians Sing”) is a very popular carol in England. This arrangement by Jenny Walker, has a jaunty, 6/8 feel and is similar in style to “I Saw Three Ships”. It is a lovely, lilting carol with a joyous, rhythmic sway.

O Come, All Ye Faithful arranged as a contemporary lyrical piano solo for intermediates. This piece is part of the Christmas Classics Volume 2 songbook by Jennifer Eklund.

Angels We Have Heard on High arranged as a showcase holiday solo for late intermediate pianists. This piece is part of the Christmas Classics Volume 2 songbook by Jennifer Eklund.

Joy to the World, combined with “For Unto Us a Child Is Born” from The Messiah, in a jubilant setting for late intermediates by Jennifer Eklund.

This contemporary lyrical solo by Ryan Chesser is a relaxed setting of a Christmas standard that celebrates the birth of Christ.

This kaleidoscopic rendering of Rejoice and Be Merry by Paul Sweet combines brilliant effects and a danceable tune to make this arrangement a welcome departure from standard holiday fare.

Away in a Manger is a gentle, flowing arrangement that combines the two versions of this popular holiday tune that are well-known in both the U.K. and the U.S. Music by Jenny Walker.

In the Bleak Midwinter, composed by Gustav Holst, and arranged for intermediates by Sandra Zylstra. This piece will make a great addition to any winter recital!

Hark! The Herald Angels Sing, a traditional holiday favorite, arranged in a triumphant anthem style for late intermediates by Kevin Costley.

Once in Royal David’s City, arranged by Rick Robertson is a late intermediate level arrangement of a less-familiar Christmas carol. It will make an effective recital selection, a prelude for church services, or perhaps for the Festival of Lessons and Carols.

Here, Rick Robertson takes a turn on a Parisian boulevard (it is a French carol, after all) and detours into a jazz waltz. This arrangement will add a little sparkle to your holiday program and is part of the Christmas Memories songbook.

Gesu Bambino, with a splash of “Caro Mio Ben,” stylishly arranged for late intermediate piano by Jennifer Eklund.

How Far Is It To Bethlehem?, a traditional British carol, arranged in a lyrical setting for intermediate piano by Jennifer Eklund.

Russian Dance, from Tchaikovsky’s iconic ballet “The Nutcracker,” arranged as fast and flashy showcase duet for intermediates by Jennifer Eklund.

Pas de deux, from Tchaikovsky’s Nutcracker ballet, abridged and arranged as a lyrical intermediate piano solo by Jennifer Eklund.

March of the Toy Soldiers from Tchaikovsky’s Nutcracker ballet, stylishly arranged as a sassy jazzy romp for intermediate piano by Jennifer Eklund. This piece is part of the Yuletide Treasures songbook.

Sing We Now of Christmas, also known as Noel Nouvelet, combined with Ravel’s iconic Pavane pour une infante defunte, and stylishly arranged for intermediate piano by Jennifer Eklund. This piece is part of the Yuletide Treasures holiday songbook.

Deck the Halls arranged as a lively holiday showcase solo by Jenny Walker. After a flamboyant introduction, the first section has a walking bass with a single-note melody in the right hand. The second has a much more modern feel, with syncopated chords in a pop-rock style.

Festive Frolic, composed by Jenny Walker, is a quirky piece full of fun. Starting and finishing in the upper end of the keyboard, it slowly creeps down until we get just a hint of Jingle Bells together with left-hand chord leaps, which can be played slightly slower. The last part of the piece completes the musical sandwich with a playful ending.

He Is Born, a traditional French carol, arranged in a lyrical styling for intermediates by Sandra Zylstra.