Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.
In the Hall of the Mountain King arranged as a fast and flashy showcase duet for intermediates by Jennifer Eklund.
Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.
Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.
Waltz Divine, composed by Jenny Walker, is in the style of a grand waltz. Rubato is encouraged, especially when it comes to reaching the distance in the left hand. The opening section has a catchy and memorable theme. The quieter, second section, is brief and the first idea soon reappears to conclude the piece. This selection is ideal for late intermediates.
Bittersweet is a dramatic contemporary lyrical solo composed by Canadian composer Lisa Frederick. This minor-key showcase piece will delight late-intermediates of all ages!
Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.
Valse Parisienne is a lyrical piano solo by Canadian composer Lisa Frederick. Inspired by Chopin’s Waltz in B minor, this waltz is ideal for intermediates of all ages and a great way to introduce the concept of rubato.
Intermezzo in B Minor, composed by Rick Robertson, is a late-intermediate-level solo in a neo-Romantic lyrical style. It has a calm, understated mood and is very effective in performance, and makes an excellent repertoire choice for recitals or festivals.
August is a new age piano solo, composed by Sarah Reaser O’Brien NCTM, for intermediate and late intermediate pianists. The pedagogical focus of this selection is small hand accessibility. The waltz-time setting and straight eighths are ideal for helping players achieve a fluid technique and a sense of forward motion. The melodic content is “hidden” within the right hand eighths and gives ample opportunity for developing sophisticated voicing.