Away in a Manger is a gentle, flowing arrangement that combines the two versions of this popular holiday tune that are well-known in both the U.K. and the U.S. Music by Jenny Walker.
A beautiful contemporary lyrical/pop rendition of Angels We Have Heard On High has been arranged as a showcase holiday solo by Lisa Donovan Lukas. Ideal for intermediate pianists of all ages! Perfect for recitals, parties, and any holiday performance opportunities.
A delightful mix of “Jingle Bells”, “Up On The Housetop” and “Jolly Old St. Nicholas” makes this duet fun for both performers and audience. Intermediate showcase duet arranged by Sandra Zylstra.
The First Noel, a traditional holiday favorite, arranged in an elegant peaceful setting for intermediates by Kevin Costley.
Silent Night, elegantly arranged with lush harmonies for intermediates by Barbara Becker. This holiday selection is part of the Scenes from Christmas songbook.
Silent Night, arranged by Rick Robertson, is an intermediate-level arrangement of the perennial Christmas favorite. In this arrangement, it takes on something of an Impressionistic style, and also sounds great on an electronic keyboard.
O Holy Night, elegantly arranged for intermediates by Rick Robertson. This piece is part of the Christmas by Candlelight songbook.
Still, Still, Still, elegantly arranged for intermediates by Rick Robertson. This piece is part of the Christmas by Candlelight songbook.
Joy to the World, mixed artfully with Mozart’s iconic Sonata in C, K. 545, in an intermediate level arrangement by Chrissy Ricker. This piece is part of the Medley Magic Volume 2 holiday songbook.
Rompin’ Reindeer, is an ultra-cool jazzy spin on “Up on the Housetop” arranged by Chrissy Ricker. This holiday piece is ideal for intermediates and will add sparkle to your holiday recital!
All Is Calm, is an elegant lyrical arrangement featuring “Silent Night,” for intermediates by Chrissy Ricker. This piece is part of “A Rockin’ Christmas” songbook.
It Came upon a Midnight Clear arranged in a lyrical contemporary style for early intermediates. Part of Christmas Classics Volume 1 songbook by Jennifer Eklund.
Jolly Old St. Nicholas and Jingle Bells combined and arranged in a contemporary lyrical style for intermediates by Jennifer Eklund.
Jolly Old St. Nicholas arranged as a contemporary lyrical solo for intermediates by Jennifer Eklund.
The First Noel arranged in a lyrical contemporary style for early intermediates. Part of Christmas Classics Volume 1 Songbook by Jennifer Eklund.
Silent Night arranged in a lyrical contemporary style for early intermediates. Part of Christmas Classics Volume 1 songbook by Jennifer Eklund.
Joy to the World arranged in a lyrical contemporary showcase style for intermediates. Part of Christmas Classics Volume 1 songbook by Jennifer Eklund.
Jingle Bells arranged as a contemporary lyrical solo for intermediates by Jennifer Eklund.
Angels We Have Heard on High arranged in a lyrical contemporary style for intermediates. Part of Christmas Classics Volume 1 songbook by Jennifer Eklund.
O Christmas Tree in a delicate, reflective jazz-style setting arranged by Jennifer Eklund. Ideal for intermediates of all ages, this piece offers a great opportunity to introduce students to the concept of rubato, lyrical phrasing techniques, and an exploration of nuanced jazz harmonies.
America the Beautiful, a patriotic favorite, arranged by Jennifer Eklund, in an elegant lyrical style suitable for early intermediates and up.
Invention in C is a two-part invention in a traditional Baroque styling by Jennifer Eklund. This upbeat selection is ideal for intermediates of all ages!
Sun Suite, by Canadian composer Lisa Frederick, is a set of three contemporary lyrical solos celebrating the beauty of the sun at different points of the day. This set is ideal for intermediates of all ages and will function well as a set or as separate showcase solos.
July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.