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Babbling Brook, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Enigma, composed by Chrissy Ricker, is a sassy jazz waltz for early intermediates and up. This piece is part of the Cool Cats songbook.

Stealth Mode is a minor-key showcase solo for early intermediates composed by Chrissy Ricker. This piece provides a great opportunity for students to work on playing a steady baseline and reading in the bass clef for both hands.

Peel the Beet! is an upbeat Latin-style solo by Ron Levy for early intermediates. This piece is part of the Jazz Salad songbook.

Cosmic Mystery, composed by Rick Robertson, is an ambient solo that can also be performed effectively on an electronic keyboard.

Lazy Afternoon by Rick Robertson is an early-intermediate-level lyrical solo. The flowing style and ease will appeal to pianists of all ages.

Celestial Cloud, by Rick Robertson, is and ambient, new age style space piece that has lots of potential as a pupil saver. Highly pattern-based in natured this piece will bring guaranteed success to early intermediates of all ages.

Appalachian Rhapsody, composed by Chrissy Ricker, is a breathtaking showcase solo for intermediates with varied sections of sweeping lyrical melodies and lively dance themes. This piece is part of the Rhapsodies and Reveries Volume Two songbook.

Midnight on the Bayou is a bluesy minor-key solo composed by Chrissy Ricker. This showcase piece, part of the Perfect Patterns PLUS songbook, is suitable for intermediates of all ages and a great exercise in left-hand leaps.

Awakening is a minor-key showcase solo composed by Chrissy Ricker. This piece is ideal for intermediates and is part of the Let’s Quest Volume 2 songbook.

This mysterious-sounding intermediate-level etude by Stacy Fahrion is ideal for introducing quarter-note triplets to students, and also is a wonderful recital piece. It eases students into playing 2 against 3 and 3 against 2 polyrhythms, and through playing it, students will learn how eighth-note triplets and quarter-note triplets relate. It begins in G Dorian and ends in D minor. Proxima Centauri is the closest star to the sun, but isn’t visible to the eye alone.

February is a syncopated tune in triple meter for intermediate pianists by Sarah Reaser O’Brien, NCTM. A lyrical variation replaces the principle theme in the second half of this minor piece. Students are not required to play a greater span than an octave in the left hand accompaniment, and the perpetual motion of the harmonic rhythm drives the sense of forward motion.

Come Away, composed by Ron Levy, is a Renaissance-style solo for intermediates, inspired by 16th-century lute music. This is a piano solo adaptation from incidental music he composed for a theatrical production of Shakespeare’s “Twelfth Night.”

Sand Dance is a quirky little piece with a slightly Arabian feel. Written by British composer Jenny Walker, it fluctuates between the tonal centers of D and E minor. It is lyrical and rhythmic, with the melody existing in the right hand.

Pearls by Jenny Walker is a beautifully lyrical gem of a piece, and forms a delightful intermezzo. Its simplicity and expressiveness provides an emotional escapism for intermediate players. The main harmony base fluctuates between minor and major keys, creating a beautiful melody which itself is merely a simple motif.

Glad Rags by Jenny Walker is a catchy, modern ragtime duet that fluctuates between minor and major keys. The second provides the main rhythmic drive whilst the primo part has long, single notes and syncopated snippets. This showcase duet serves as a fun introduction to the ragtime style.

Faded Memories, composed by Ryan Chesser, is an elegant melancholy solo for intermediates. This selection is part of the Winds of Change songbook.

Imagination is an upbeat, lyrical solo by Sara Tomlinson. The opening features contrary motion between the hands, followed by lyrical and driving sections. If you or your student enjoy music with life and movement, this piece is for you!

Possibilities by Sara Tomlinson is a flowing, contemporary solo with a dynamic, flashy middle section. The unusual harmonies, mixing the sounds of major and minor, open the listener’s mind to endless possibilities.

Emerald Gem, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a haunting melody. Cover photography from Back Bay, Newport Beach by Ron Levy.

Tango in D, composed by Jenny Walker, starts with a typical tango introduction followed by a precise, rhythmic accompaniment with a sustained melody taken by the upper right hand. The piece contains a certain cheeky-feel combined with the passion of a tango. This selection is ideal for intermediates.

This fun ragtime piece, composed by Chrissy Ricker, is a playful nod to Grieg’s “In the Hall of the Mountain King.” A perfect early intermediate showcase solo for Halloween, or any time of year!

Skulls Chattering is a bluesy Halloween solo for early intermediates composed by Stacy Fahrion. This whimsically macabre solo will delight students of all ages!

Tiptoeing is a suspiciously sneaky minor-key piano solo by Canadian composer Lisa Frederick. Full of twists & turns, this wonderful study in contrasting styles is ideal for early intermediates and above.