Recordings for the Let There Be Music songbook by Jennifer Eklund.
Recordings for the Impressions songbook by Jennifer Eklund.
Recordings for the New Horizons songbook by Jennifer Eklund.
Recordings for the Songs I Love to Play Volume 2 songbook by Jennifer Eklund.
Recordings for the Dog Days songbook by Jennifer Eklund.
Spooky Ooky! composed by Rick Robertson is an intermediate level showcase solo. Its staccato, jaunty rhythms, and sudden dynamic shifts make it an excellent spooky Halloween solo.
Spooky Goings On, composed by Jenny Walker is an evenly-leveled duet for two intermediate players. There is no key change, merely the requirement to maintain a slowish, steady beat, provided mainly by the secondo player. Whether it’s ghosts, witches, or spiders that come to mind, this piece will be enjoyed by students and teachers alike.
Tiptoeing is a suspiciously sneaky minor-key piano solo by Canadian composer Lisa Frederick. Full of twists & turns, this wonderful study in contrasting styles is ideal for early intermediates and above.
Oh Snap! is a fun, jazz piano solo for early intermediates that incorporates finger snaps throughout. Music written by Jennifer Eklund and part of the Dog Days songbook.
A Minor Mystery is a fast and flashy Latin-style duet for two intermediates that will be a hit at your next recital! Music composed by Jennifer Eklund.
Tricks & Treats features eleven Halloween-themed showcase solos composed by Stacy Fahrion. Full of quirky harmonies, odd meters, and playful takes on folk melodies, these pieces will be a treat for intermediates of all ages at any time of the year!
This combo deal includes Chrissy Ricker’s “Rock On Volume 3” and “Let’s Quest Volume 3” songbooks for intermediates.
This combo deal includes Chrissy Ricker’s “Rock On Volume 2” and “Rhapsodies and Reveries” songbooks for early intermediates & up.
This combo deal includes Chrissy Ricker’s “Rhapsodies and Reveries” and “Rhapsodies and Reveries: Volume 2” songbooks. These books are appropriate for early intermediate and intermediates.
This mega combo deal includes Chrissy Ricker’s “Easy Rhapsodies and Reveries,” “Rhapsodies and Reveries” and “Rhapsodies and Reveries: Volume 2” songbooks. These books are appropriate for late beginners through intermediates.
Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.
Tango in D, composed by Jenny Walker, starts with a typical tango introduction followed by a precise, rhythmic accompaniment with a sustained melody taken by the upper right hand. The piece contains a certain cheeky-feel combined with the passion of a tango. This selection is ideal for intermediates.
Seven Sisters is a study in 7/8 time, inspired directly by Etude No.16 by Philip Glass. There are two main motifs that are introduced individually. One low in the bass and the other high in the treble, that are then combined to create some fun crossing the hands back and forth over a driving ostinato based on only two chords. There is plenty of scope for dynamic variation and sensitivity to tonal balance, whilst also playing with energy and imagination.
Set Sail, composed by Amanda W. Smith, is an elegant showcase solo for intermediates. This piece is part of the Set Sail songbook.
Paper Airplane by Sara Tomlinson is an expressive and flowing piece at the late intermediate level. Students will find the chromatic scales and left-hand crossovers fun and impressive. Suitable for students for intermediates of all ages.
Gaelic Dreams is an evenly-leveled duet composed by Jane Tate. This romping Scottish-flavored duet will delight intermediates of all ages.
Sand Dance is a quirky little piece with a slightly Arabian feel. Written by British composer Jenny Walker, it fluctuates between the tonal centers of D and E minor. It is lyrical and rhythmic, with the melody existing in the right hand.
Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.
October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.