End Game is a spooky and fun piano solo that is also part of the Dog Days Songbook. Music by Jennifer Eklund.
Oh Snap! is a fun, jazz piano solo for early intermediates that incorporates finger snaps throughout. Music written by Jennifer Eklund and part of the Dog Days songbook.
Tiptoeing is a suspiciously sneaky minor-key piano solo by Canadian composer Lisa Frederick. Full of twists & turns, this wonderful study in contrasting styles is ideal for early intermediates and above.
En Garde!, composed by Chrissy Ricker, is a minor-key evenly-leveled showcase duet for intermediates. This piece is part of the Let’s Quest Volume 4 songbook.
Those Who See, But Are Not Seen is a melancholy solo for sad ghosts composed by Stacy Fahrion. This piece is ideal for intermediates of all ages.
Tritone Tarantella is a flashy and dissonant pattern-based tarantella composed by Stacy Fahrion. Ideal for intermediates during Halloween-season or whenever the mood strikes!
Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.
Tarantellas are always a student favorite, and this spritely one, composed by Lisa Shoemaker, is sure to make your intermediate students shine! This is a great piece to work on quick transitions between open and closed hand positions.
Moonlight Nocturne is a haunting intermediate lyrical solo composed by Lisa Shoemaker. This elegant work is ideal for students who love to play with passion and a touch of drama!
Mystery and uncertainty are just around the corner with this minor key solo by Ryan Chesser. This piece is great for teaching artistic expression and balance between hands. Your moody teenage students will love this expressive showcase solo!
The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!
Minor Blues for Two by Stacy Fahrion gives the first pianist an opportunity to improvise over a 12-bar blues progression. If played on a grand piano, the pianist can also mute strings inside the piano for an interesting change of tone color.