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End Game is a spooky and fun piano solo that is also part of the Dog Days Songbook. Music by Jennifer Eklund.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Tiptoeing is a suspiciously sneaky minor-key piano solo by Canadian composer Lisa Frederick. Full of twists & turns, this wonderful study in contrasting styles is ideal for early intermediates and above.

Shadow Walker, composed by Jennifer Eklund, is a minor-key contemporary lyrical solo for intermediates. This piece provides a great opportunity for students to work on concepts like rubato, lyrical phrasing, and flowing left-hand patterns.

Spooky Ooky! composed by Rick Robertson is an intermediate level showcase solo. Its staccato, jaunty rhythms, and sudden dynamic shifts make it an excellent spooky Halloween solo.

Alouette, the traditional French folk song arranged as a minor-key whimsically macabre solo by Stacy Fahrion. This piece is part of the Once Upon a Time songbook.

Tritone Tarantella is a flashy and dissonant pattern-based tarantella composed by Stacy Fahrion. Ideal for intermediates during Halloween-season or whenever the mood strikes!

A flashy intermediate solo in 7/8 time based on This Old Man composed by Stacy Fahrion.

Insomniac’s Lullaby is a disturbing lullaby appropriate for Halloween or giving your parents strange nightmares. This whimsically macabre solo, composed by Stacy Fahrion, is ideal for intermediates.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

Moonlight Nocturne is a haunting intermediate lyrical solo composed by Lisa Shoemaker. This elegant work is ideal for students who love to play with passion and a touch of drama!

Minor Blues for Two by Stacy Fahrion gives the first pianist an opportunity to improvise over a 12-bar blues progression. If played on a grand piano, the pianist can also mute strings inside the piano for an interesting change of tone color.