Graduation Day Waltz

Serious Moonlight, composed by Ron Levy, is a contemporary lyrical solo, inspired by Claude Debussy’s Clair de lune, for intermediates and late intermediates.

Twilight (Crepuscule) is a simple, but beautiful song by Jules Massenet (1842-1912). Here it is arranged by Rick Robertson for piano solo. This will give the expressive student an opportunity to work on shaping long lines. It is also useful as service or wedding music. It also makes a nice encore.

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

Questions, composed by Rick Robertson is a late intermediate lyrical solo. It has a haunting melody full of interesting harmonic turns.

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

Portrait No.2, Spirited Castle is a late intermediate solo composed in the likes of Joe Hisaishi. Students will enjoy the bright and upbeat jazz waltz feel, soaring melody, as well as exploring scintillating quartal harmonies in left hand accompaniment. This piece is perfect for openers or dramatic finishes at recitals, festival solos, and more!

Prelude-Arabesque, composed by Rick Robertson, is an intermediate-level lyrical solo. There are two themes, one more harmonic (broken chords), and one more lyrical.

Goodnight, Sweet Dreams is a Composers Today award winning composition by Lisa Donovan Lukas. An inspirational contemporary lyrical showcase solo, ideal for the advanced student.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Intermezzo in B Minor, composed by Rick Robertson, is a late-intermediate-level solo in a neo-Romantic lyrical style. It has a calm, understated mood and is very effective in performance, and makes an excellent repertoire choice for recitals or festivals.

This wistfully whimsical piece by Stacy Fahrion expresses The Farmer in the Dell’s unrequited love for Adele. Ideal for intermediates of all ages.

Nuit d’etoiles (Starry Night) by Rick Robertson is a late intermediate-level lyrical solo that will appeal to pianists of all ages, and is an excellent introduction to the Impressionist style. Includes glossary of French terms and music history lesson about the Impressionist era.

This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Wandering is a beautiful, intermediate lyrical solo by composer Lisa Shoemaker. Rubato style and an uplifting sound will make this a student favorite!

Rain is a pensive lyrical style showcase piano solo for late intermediate pianists. New Age meets Baroque, contemporary styling with elegant contrapuntal touches.

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.